Book Club

Middlemarch

The Book Club meets on the second Thursday of the month. Doors open at 7pm for light refreshment and the discussion starts at 7.30 pm.

In September we will be discussing George Eliott’s Middlemarch.

Often called the greatest nineteenth-century British novelist, George Eliot (the pen name of Mary Ann Evans) created in Middlemarch a vast panorama of life in a provincial Midlands town.At the story’s centre stands the intellectual and idealistic Dorothea Brooke—a character who in many ways resembles Eliot herself. But the very qualities that set Dorothea apart from the materialistic, mean-spirited society around her also lead her into a disastrous marriage with a man she mistakes for her soul mate. In a parallel story, young doctor Tertius Lydgate, who is equally idealistic, falls in love with the pretty but vain and superficial Rosamund Vincy, whom he marries to his ruin.  Eliot surrounds her main figures with a gallery of characters drawn from every social class, from laborers and shopkeepers to the rising middle class to members of the wealthy, landed gentry. Together they form an extraordinarily rich and precisely detailed portrait of English provincial life in the 1830s.

Introduction

Questions.

1. Marriage is a central concern in the novel. Does it portray marriage as a source of happiness in life? Or does it suggest that personal happiness comes from some other source?

2. Compare the various couplings with one another: Dorothea's failed marriage with that of her sister. Or the Lydgate and the Garth marriages. In what way do they suggest differing approaches to marriage? Does Elliot offer a model union?

3. Dorothea at one point says of marriage...

I mean, marriage drinks up all of our power of giving or getting any blessedness in that sort of love. I know it may be very dear—but it murders our marriage—and then the marriage stays with us like a murder—and everything else is gone

What is she suggesting about romantic love and marriage? Is there any truth in her remark, or is this simply the rambling of a distraught woman?

4. How does the novel portray Dorothea Brooke and Tertius Lydgate as the heroes in this work? In what ways do they differ from the others in the cultural milieu of Middlemarch? What drives each of them? Are they similar?

5. Others in the novel also serve as models for virtue: members of the Garth family and Camden Farebrother, for instance? In what way can they be seen as secondary heroes of Middlemarch? Any others?

6. Does Rosamond elicit sympathy from you? She is vain, of course, but might her upbringing be somewhat responsible for her faults? In what way does she represent the prevalent societal norms?

 

7. The narrator is a very funny and wry satirist. Dorothea, for example, is passionate about horseback riding yet eager to renounce it, because in sacrificing her pleasure, she will prove her devotion to Christianity. What or who else do you find humorous in the novel? And what is she satirizing?

8. What do you think of Camden Farebrother, especially his gambling? Is it wrong? What makes him successful at gambling, as compared to Fred Vincy?

9. What about Mary Garth's refusal to burn the second will after Featherstone's death. What would you have done?

10. Talk about how social conventions, based on money and class, affect the behavior and relationships in this novel. In what way does this novel challenge those conventions? What does the novel champion...and what does it condemn?

11. What symbolic (as well as literal) role does the portrait of Ladislaw's grandmother play in the novel? Why does Dorothea offer it to Ladislaw as a parting gift...why does he refuse the offer...and what does his refusal suggest?

12. What do the main characters learn by the novel's end? Do either Dorothea or Lydgate get the life they deserve?

13. What roles do Raffles and Nicholas Bulstrode play? Look at Raffles as representing the past...as well as chance or coincidence.

14. Middlemarch, the town, is almost a character in itself. In what sense does Elliot use the idea of community? Does she portray it as antithetical to human freedom—in that it judges, restricts, or interferes in its inhabitants lives? Or is it presented as a positive force—in that it offers moral guidance, friendship, and solace?

Autumn Programme

Provisional titles.

 

NB: No Meeting in August

 

Sept 14th   Middlemarch: George Eliot

Oct 12th    The Essex Serpent : Sarah Perry

Nov 9th    The Circle : Dave Eggars

Dec 14th     (Christmas meeting)  When Breath Becomes Air: Paul Kalanithi

Jan 11th    The Dark Circle Linda Grant (with a 10 min intro to history of TB by Peter)

 

Please, Feel Free to PeruseOur Book Store